Ecce homo
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An Ecce homo (/ˈɛksi ˈhoʊmoʊ/, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "uya, hilinga an lakaki") iyo an mga katagang Latin na ginamit ni Poncio Pilato sa traduksyon na Vulgate kan Ebanghelyo ni Juan, kan saiyang prinisentar an saron scourged Jesus, nakagapos asin kinuronahan nin tunok, sa mga grupo nin tawo sa atubangan kan saiyang crucifixion (Juan 19:5). An orihinal na New Testament Greek: "ἰδοὺ ὁ ἄνθρωπος", rinomanisado: "idoù ho ánthropos", is rendered by most English Bible translations, e.g. an Douay-Rheims Bible asin an King James Version, bilang "behold the man". Plantilya:Bibleverse-nb. Similar:
Matthew Plantilya:Bibleverse-nb: ἰδοὺ ὁ νυμφίος, rinomanisado: idoù ho nymphíos (NA28), ecce sponsus (NVUL), lit. 'behold the bridegroom'. An eksena lakop na pigladawan sa Christian art.
Mga ladawan
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Ecce Homo, Nuno Gonçalves, ika-15 na siglo
Hieronymus Bosch, dekada 1470
Jean Hey, 1494
Venetian-Cretan school, c. 1520
Ecce Homo, Abraham Janssens, (1567–1632)
Correggio, ika-16 na siglo
Tintoretto, 1546
Ecce Homo, ni Titian (1490–1576)
Ecce Homo ni Andrea Solario, c. 1506
Quentin Matsys, c. 1520
Rubens, 1612
Jan Cossiers, c. 1620
Mateo Cerezo, 1650
Ecce Homo, ni Lodovico Cardi inapod na Cigoli
Ecce Homo, ni Philippe de Champaigne (1602–1674)
Ecce Homo, ni Elias Moskos, 1648
Ecce Homo, ni Mateo Cerezo, 1650
Ecce Homo, ni Pedro de Mena, ika-17 na siglo
The statue of Ecce Homo, revered in Brazil as the Good Jesus
Ecce Homo, ni Pierre Mignard, (1690)
Ecce Homo, ni Honoré Daumier, (1850)
Antonio Ciseri (1871)
Ecce Homo, ni Adam Chmielowski, 1879–1881
Lovis Corinth, 1925
Ecce Homo ni Gertrude de Pélichy
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Toltolan
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- ↑ Inscription: ΙϹ ΧϹ [abbr. for ΙηϲοῦϹ ΧριστόϹ] ὁ νυμφίοϲ, rinomanisado: IesoũS CHristóS ho nymphíos, lit. 'Jesus Christ the bridegroom'. — An icon, on the apex of the Rock of Calvary inside the Church of the Holy Sepulchre, under the Greek Orthodox altar of the crucifixion (12th Station of the Via Dolorosa).Script error: The function "sfnm" does not exist.
- ↑ "The icon of Christ the Bridegroom portrays the selfless love for Christ's Bride, the Church (Isaiah Plantilya:Bibleverse-nb). He is dressed in royal colors as the betrothed King, complying with Sacred Scripture's account of His mockery by the Roman guards before His crucifixion. The crown is a symbol of His marriage to the Church; the rope, a symbol of bondage to sin, death and corruption which Jesus untied by His death on the Cross; the reed, a symbol of His humility."[1]
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