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Raphael

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Raphael
Presumed self-portrait of Raphael[1]
KamundaganRaffaello Santi (or Sanzio)
March 28 or April 6, 1483
Urbino, Duchy of Urbino
KagadananApril 6, 1520 (aged 37)
Rome, Papal States
Lulubngan
The Pantheon, Rome
Midbid bilang
Mga notableng giboRaphael Rooms
Sistine Madonna
The School of Athens
Transfiguration
PaghiroHigh Renaissance
Lagda

Si Raffaello Sanzio da Urbino (Raphael) komun na midbid sa saiyang enot na pangaran sana (sa Italyano Raffaello)[2] (Marso 28 o Abril 6, 1483 – Abril 6, 1520),[3][4][5] iyo an sarong Italyanong pintor asin arkitekto kan Halangkaw na Pagkamundag Liwat (High Renaissance). An saiyang gibo inomaw huli sa saiyang pagigin malinaw sa porma, madaling komposisyon, asin visual achievement kan Neoplatonikong ideal kan human grandeur.[6] Kaiba si Leonardo da Vinci asin Michelangelo, binilog niya an tradisyonal na trinidad kan mauurag na master kan peryodong idto.[7]

  1. Jones and Penny, p. 171. The portrait of Raphael is probably "a later adaptation of the one likeness which all agree on": that in The School of Athens, vouched for by Vasari.
  2. Kabali sa manlaenlaen na apod: "Raffaello Santi", "Raffaello da Urbino" o "Rafael Sanzio da Urbino". Ginuno an apelyidong Sanzio gikan sa ni-Latin na Italyano, Santi, na nagin Santius. Komun siyang nagpirma sa mga dokumento bilang "Raphael Urbinas" - sarong pormang Latin. Gould:207
  3. Jones and Penny, p. 1 and 246.
  4. Salmi et al. 1969, pp. 585, 597.
  5. From the Latin and ultimately from biblical Hebrew. "Raphael". Dictionary.com Unabridged (Online). n.d. 
  6. On Neoplatonism, see Chapter 4, "The Real and the Imaginary" Archived December 16, 2018, at the Wayback Machine., in Kleinbub, Christian K., Vision and the Visionary in Raphael, 2011, Penn State Press, ISBN 978-0271037042
  7. See, for example, Honour, Hugh; Fleming, John (1982). A World History of Art. London: Macmillan Reference Books. p. 357. ISBN 978-0333235836. OCLC 8828368. ; " Britannica online, "High Renaissance": "High Renaissance art, which flourished for about 35 years, from the early 1490s to 1527, when Rome was sacked by imperial troops, revolved around three towering figures: Leonardo da Vinci (1452–1519), Michelangelo (1475–1564), and Raphael (1483–1520)."